Steam 설치
로그인 | 언어
简体中文(중국어 간체) 繁體中文(중국어 번체) 日本語(일본어) ไทย(태국어) Български(불가리아어) Čeština(체코어) Dansk(덴마크어) Deutsch(독일어) English(영어) Español - España(스페인어 - 스페인) Español - Latinoamérica(스페인어 - 중남미) Ελληνικά(그리스어) Français(프랑스어) Italiano(이탈리아어) Bahasa Indonesia(인도네시아어) Magyar(헝가리어) Nederlands(네덜란드어) Norsk(노르웨이어) Polski(폴란드어) Português(포르투갈어 - 포르투갈) Português - Brasil(포르투갈어 - 브라질) Română(루마니아어) усский(러시아어) Suomi(핀란드어) Svenska(스웨덴어) Türkçe(튀르키예어) Tiếng Việt( 트남어) Українська(우크라이나어) 번역 관 문 보
👑 ✲ 🐛 PBS viewers in the '70s as Rose, the maid on the LWT export "Upstairs,
📀 ✲ 🎄 Downstairs." Though Marsh has since gone on to other projects, ... it's
📘 ✲ 💃 with Rose she's forever identified. So much so that she even likes to
🕺 ✲ 🔋 joke about having one named after her, a distinction not without its
📒 ✲ drawbacks. "I was very flattered when I heard about it, but when I looked
🐝 ✲ ⛳ up the official description, it said, `Jean Marsh: pale peach, not very
🎽 ✲ 🏀 good in beds; better up against a wall.' I want to tell you that's not
🥗 ✲ 🚕 true. I'm very good in beds as well." 🍧💗🚘